Thursday’s Throwback with Donna Schlachter

Interview, Excerpt and Giveaway!

Question for random drawing: Where would be your choice for a romantic honeymoon?

Leave a comment to enter a random drawing for a print (US only) or ebook copy of Cactus Lil and the City Slicker


Excerpt:

A rough-and-tumble cowgirl longs for true love but is afraid to let down her prickly exterior when a city slicker from New York City, with less-than-honorable intentions, tries to win her heart and her hand.

Double D Ranch

Near Cave Creek, Arizona Territory, 1885

Chapter 1

Sally Jo sank to the ground beneath the pain of her wrenched ankle. “Drat. I simply cannot walk one more step in these infernal boots.”

Thomas Peabody, broad of shoulders and narrow of waist, knelt beside her, cupping her aching foot in hands more accustomed to roping steers or shooting the eye out of a gnat at a hundred yards. “Miss Sally, allow me to assist you.”

Sally Jo stared into his eyes. Why hadn’t she ever noticed they matched perfectly the color of the summer sky? “Why, Mr. Peabody, you’re most gallant.”

He straightened, reached a hand toward her, and pulled her to her feet. When she tried to put weight on her aching foot, a jab of pain like a hot poker shot through her, and she collapsed into his arms.

Right where she wanted to be.

He pulled her near, and she closed her eyes, offering her mouth to him. Greedily, as though drawing his very life essence from her, he covered her lips with his own. When she thought she would suffocate, she opened her eyes, and saw mirrored what her racing heart telegraphed to her own mind: this was love.

Lily Duncan surveyed the words written on the page as she chewed the end of her fountain pen. Ink blotches on her fingers attested to her hard work this morning. A clicking sound like a metronome tickled at the periphery of her hearing while she considered whether she needed to change the word telegraphed to something more ooshy-gooshy romantic.

Tsick-tsick-tssiicckk.

She tipped her head to listen. What was that sound?

Lily tossed her pen on the desk and glanced at the silver clock resting on the leather-topped surface. Time was running out. She had less than two hours to finish this story and get it on the last mail stage of the day. That snooty editor, Mr. Hogan, in New York, was waiting for it.

Not that she knew for certain he was snooty. Truth was, she didn’t know anything about him. 

She’d only met him through correspondence, so he could be any age, any degree of pretentiousness, any color for that matter.

But that didn’t stop her creating an image in her mind: middle-aged, a monocle, oiled hair parted down the middle and slicked back, muttonchop sideburns, and a beard, of course. A house on Fifth Avenue, a society wife, private carriage, servants, and twelve children. At least.

She sighed. Thinking about all the reasons why she didn’t like the man responsible for buying her stories to publish in his fancy eastern magazine wasn’t going to get the story written. Or mailed.

Tsick-tsick-tssiicckk.

She pushed back from the desk. What she’d written would have to do. She couldn’t work with such a racket. She stepped to the window and listened. Not coming from the front. Must be out back. She crossed the bedroom-turned-office to the window facing the rear of the house.

This view was much more utilitarian than the rolling desert and giant saguaros surrounding the house on the other three sides. A small barn for her three horses, a hen house, corral, and privy filled her line of vision.

Tsick-tsick-tssiicckk.

Yes, this is where the sound came from.

And she knew its exact origin.

Lily hefted the Colt .38 on her hip. She’d take care of that she-rattler right now. She strode to the back door and stepped into the late afternoon heat of the desert.

The musky smell of mesquite, heated by the sun, filled her nose as she paused on the doorstep. How she loved the desert. She couldn’t imagine living anywhere else. 

Certainly not a place like New York City. No way. Give her cactus and rocks, cattle and dipping tanks, horses and leather any day. Unlike her heroines, she wouldn’t darken the doorway of a town bigger than Cave Creek. And she sure wouldn’t fall for the first man who looked at her twice.

Not that many men looked at her even once. She wasn’t ugly. At least, not ugly like a javelina, with its short bristly hide and snarling tusks. And not ugly like a turkey vulture, with its naked head and red eyes.

She preferred men’s dungarees to skirts. She wasn’t much practiced at cooking and cleaning. But she could outshoot, outride, and outsmart most men she knew.

Which was probably why most men didn’t take a second look at her.

Lily neared the woodpile. She’d been meaning to clean that mess up, sweep out the old tinder from the previous year. Even prop the wood up on a couple of timbers to discourage snakes and other varmints wanting to find a warm place to spend the night. But her best range cow had a difficult birth, and her horses needed shoeing, and the hole in the roof . . . 

Too much work for one person. Not enough hours in the day to get everything done. What had she been thinking when she started writing?

An escape, that’s what. Something to while away the long evenings. 

Tsick-tsick-tssiicckk.

She pulled on a pair of leather gloves and tipped her head to one side. If she didn’t get that low-down, no-good rattler out soon, there’d be a passel of little ones slithering around.

She glanced toward the horizon. The sun dropped like a lead sinker as though intent on ensuring she missed her deadline to get that story mailed today. 

And she sure didn’t need Mr. Persnickety Hogan upset that her latest installment of Love in the Wild Wild West wasn’t on time.


Get to know Donna

Cactus Lil came about as the result of a long-standing friendship, a step-mother who I dearly loved, and a desert oasis I longed to write about. Mary Davis, a good friend, contacted me because I’d worked with her on a previous romance collection, wanting to know if I was interested in another, and I said yes. My step-mom and my dad loved Cave Creek, Arizona, and got married in a little chapel in town there, and I wanted to set a book there because I love the town, too. Being a writer with a pen name, I thought it might be neat to have my main character write under a pseudonym, too.

As with most of my books, my main character, Lily Duncan, is slightly autobiographical. She is strong and independent—or so she thinks—but she also recognizes something is missing in her life. I think readers will connect with the deep longing in her heart.

As for my hero, Peter Golding is named after a chemistry professor I had in college. To be honest, I was a little afraid of him—he seemed so unapproachable. But as the semester went on, I found out he had an incredible sense of humor along with a good dose of an inflated opinion of his own self-worth. My Peter comes west to “rescue” Miss Daisy Duncan from this western backwater of Arizona Territory and whisk her off to the City. Boy, does he have a thing or two to learn!

Writing a romance is challenging for me for two reasons: as a suspense writer, I tend to have three or four subplots going on at the same time, but novellas just don’t have the word count to support that. At the same time, I want to intrigue my readers to keep them guessing, so at least a small subplot is imperative.

The other thing is I must be certain that the hero doesn’t simply come in and save the heroine. Writing a strong female character helps with that, but I don’t want my male character to look weak, either. He has to have certain abilities that will help him save the day at least once. 

Getting to the romance can also be a challenge. There must be a reason why these two get together. It’s why we read romance, right? One reviewer said she couldn’t understand why my characters ended up falling in love. We must keep in mind that people in the 1880’s wed for different reasons. Their courtship—if there even was one—looked different than today. For Lily and Peter, they wrote about love and published love stories, but had never been in love. Yet they were drawn to this other person who was completely unlike them and whose life goals were completely different. I think this is a picture of what God does in our own lives. If we were whole, we wouldn’t need Him, and we wouldn’t need a spouse. Yet the combination of our differences makes us whole as a couple, and when we use our passions, experiences, and talents for Him, we are complete in Him.


About Donna

Donna writes historical and contemporary mysteries, and has been published more than 50 times in novellas, full-length novels, and non-fiction books. She is a member of several writing communities; facilitates a critique group; teaches writing classes; ghostwrites; edits; blogs regularly; and judges in writing contests. She lives in Denver with her husband and two cats, finding mysteries wherever she travels. You can find her books on Amazon under both her name and that of her former pen name, Leeann Betts.

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